A designer from Hong Kong is said to have the largest collection of Chairman Mao busts. The busts were produced, by governmental decree, in only two places in the People’s Republic of China and only in white. Chairman Mao Collection
Michael Erlhoff & Uta Brandes (2006): Non-Intentional Design http://amzn.to/2HBfCov English Design must embrace misunderstandings, mistakes and the so-called ‘misuse’ of its products as a source of innovation and an expression of cultural diversity. A photo book documenting everyday situations where the products of design are used in ways not initially intended by their creators.
Uta Brandes, Michael Erlhoff & Nadine Schemman (2009) Designtheorie und Designforschung UTB/W. Fink German http://bit.ly/2GyjWDI If you study design, you need a fundamental knowledge of theory, and design theory must also have an empirical relation to the real needs of real people. Therefore, this book is an introduction to both design research and design theory. Expertly written, this easy-to-read book provides information on qualitative and quantitative methods in design research. It also offers a theory toolset, describes the prospects of design research and much more.
Uta Brandes & Michael Erhoff (Hrsg.) (2012): My Desk is my Castle – Exploring Personalization Cultures Birkhäuser English http://bit.ly/2Fkgugy This study focuses on a comparative analysis of the use of desks. To this end, we looked at desks in insurance companies, banks, administrative offices, call centres and design studios, located in 12 countries on all continents.
Uta Brandes & Michael Erlhoff (Hrsg.) (2009) DADAs Best Edition Nautilus German http://bit.ly/2olD4xq Uta Brandes and Michael Erlhoff have asked 18 DADA lovers from the world of art to nominate their favourite DADA piece. The result is a fascinating, inspiring and, in the best sense of the term, colourful mix of classic and lesser-known works. The point of art and poetry is to uncover and work with possibilities and forward-looking dreams, with fantasies and desires, and, to this end, Dada used everyday life as its playground.
Designers we met in Milano in 2000.
In 1999, as a result of an initiative by Köbi Gantenbein, chief editor of the magazine Hochpaterre, we were invited to St. Moritz (Switzerland) to talk with local officials from the culture and tourism departments about the establishment of a new design event. We proposed to invite important international design professionals to come to St. Moritz for three days each year before Christmas in order to discuss essential new design perspectives. We suggested, however, doing this without an audience because, otherwise, these kinds of discussions tend to turn into marketing events. The St. Moritz officials loved the idea and, starting in 2000, the St. Moritz Design Summit took place for the first time (followed by seven more editions) in the exclusive Suvretta House. To secure the summit’s financing, Michael Erlhoff (who, in 1991, together with British American Tobacco/BAT had founded the Raymond Loewy Foundation for the promotion of design) was able to get BAT, and thus the foundation, on board to support the project. And so we invited 30 excellent design experts each year to …
Lyrics, music and vocals: Tanja Godlewsky and Claudia Leu (now: Claudia Herling) Arrangement and production: Oliver J. Leu and David Oswald When Tanja Godlewsky and Claudia Leu were still students at KISD (and also a few years after they had graduated), they sometimes performed wonderful, self-created songs at special events. Legendary. Oliver Leu and David Oswald were also KISD students. Today, all four are professional designers and teach at various universities.
Unsatisfied with both the largely miserable quality and local presence of Hannover-based writers, Uta Brandes and Michael Erlhoff placed a distinctive note in the local paper HA.Z: all those considering themselves writers should convene in front of the opera house for a joint reading session on a Saturday , 12 pm, in November 1980. About 100 people came and started, after a signal, to read their texts. A simultaneous reading that, naturally, became increasingly louder as everyone tried to be louder, and thus to have more presence, than the others. The session was recorded with a non-professional recording device.