All posts filed under: be//SCRIBE

Buchtitel: Fandalismus

Fandalismus – Von Vandalismus zu Fandalismus

When anonymous people ‘modify’ objects in public space, this is often quickly referred to as vandalism. The authors have carried out extensive fieldwork in urban spaces, making the phenomenon of vandalism subject to critical revision: the re-appropriation of urban space is no longer called vandalism, but ‘fandalism’. For example, paid-for leasing is turned into free seats; kids that are defined by society as innocent and cute become terrorists; the advocates of a potted plant-culture are confronted by revolutionary seed bomb throwers; graffiti becomes a new form of symbolism that sometimes uses wonderful new technologies, and the always positively embraced flora and fauna are convincingly demasked as committing serious acts of vandalism. The book inspires the reader to think about vandalism, political correctness and mainstream in new ways and many issues that seemed to be safely defined and categorised are being whirled about in both humorous and thoughtful ways.

Michael Erlhoff & Friends

A kaleidoscope of humorous and informative visual and textual descriptions relating to Michael Erlhoff, who was the Founding Dean of the Köln International School of Design, the President of the Raymond Loewy Foundation and the Director of the German Design Council. Renowned experts from the fields of design, art, cultural theory, politics and business are staging a spectacular fireworks display around the outspoken design scholar, author and critic.

Designtheorie und Designforschung

If you study design, you need a fundamental knowledge of theory, and design theory must also have an empirical relation to the real needs of real people. Therefore, this book is an introduction to both design research and design theory. Expertly written, this easy-to-read book provides information on qualitative and quantitative methods in design research. It also offers a theory toolset, describes the prospects of design research and much more.

DADAs Best

Uta Brandes and Michael Erlhoff have asked 18 DADA lovers from the world of art to nominate their favourite DADA piece. The result is a fascinating, inspiring and, in the best sense of the term, colourful mix of classic and lesser-known works. The point of art and poetry is to uncover and work with possibilities and forward-looking dreams, with fantasies and desires, and, to this end, Dada used everyday life as its playground.

Uta Brandes – She and she as a collective novel

Written by friends of Uta Brandes, this book makes for an interesting and entertaining read, offering possibilities to think about identity, gender, cars, spies, history, life, biography and design. In both thoughtful and humorous ways, we learn something about the researcher and woman Uta Brandes. A gift to Uta Brandes from friends of Uta Brandes.

NID - Non intentional Design

Non Intentional Design (NID)

A term that has been invented by Uta Brandes and Michael Erlhoff: “Non Intentional Design” describes what people do spontaneously and without any deliberate intention because they are faced with a sudden problem that they have or want to solve. NID refers to the use and conversion of many objects by people in their everyday lives. NID defies any norm, endows seemingly unambiguous objects with a variety of design options. It implies transformation and intelligent new functions. It arises from temporary situations of lacking something as well as from convenience or playfulness. It cuts costs and can reduce the overabundance of products. More often than not it is reversible or the used-up product finds a new and final purpose. NID is about the use and “exploitation” of objects already defined: The chair (also) becomes a coat stand, a surface to put things on, a ladder, or by piling books on the seat a children’s chair. Paperclips are (also) suitable for cleaning fingernails. Magnets on the refrigerator turn it into a notice board. Steps are not …

Bielefelder Colloquium Neue Poesie

New Poetry Colloquium Bielefeld

In 1978, S.J. Schmidt, Klaus Ramm and Jörg Drews, professors at the then newly founded Bielefeld University, invited all German-speaking writers from the field of concrete and visual poetry to come to Bielefeld for a discussion and public reading. In the first year, the event took place in a guesthouse of the university; later on, it was held in ‘Haus Neuland’, located in a forest near Bielefeld. This was very good because, for three days, the focus was essentially on talking to each other – and these talks were very intensive indeed: some of the participants (for example Ernst Jandl) dared to present radically new approaches and were at times faced with severe criticism, which was, however, accepted favourably. The public reading took place at the Bielefeld Art Hall, attracting a large audience.